Поиск по заголовкам произведений. Cлово "OTHER". Классическая русская литература.

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Сайт: http://dostoevskiy-lit.ru Размер: 104кб.

Часть текста: or not, and could not find out for a fact, however much he tried. He had not yet seen his future bride, and did not know whether she was to be his bride or not; did not, in fact, know whether there was anything serious in it at all. Varvara Petrovna, for some reason, resolutely refused to admit him to her presence. In answer to one of his first letters to her (and he wrote a great number of them) she begged him plainly to spare her all communications with him for a time, because she was very busy, and having a great deal of the utmost importance to communicate to him she was waiting for a more free moment to do so, and that she would let him know in time when he could come to see her. She declared she would send back his letters unopened, as they were “simple self-indulgence.” I read that letter myself—he showed it me. Yet all this harshness and indefiniteness were nothing compared with his chief anxiety. That anxiety tormented him to the utmost and without ceasing. He grew thin and dispirited through it. It was something of which he was more ashamed than of anything else, and of which he would not on any account speak, even to...

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Часть текста: To One Different from Others To One Different from Others Youre in no way like other women at all: You have laughter controlled and expressive, You wear dresses measured and fashionably long And you slip out from my embraces. You do not cut your hair to look upscale, Deepen brows or wear make up, You have Smirnoff, but also a nightingale Who in nature becomes his replacement, You are able to see in the sugar the salt, And in just uttered word, a full sentence. In Akhmatova you value pain without halt And in Gumilev - charm and cadence. For you, connoisseur of all kinds of verse, Sharpness of Sologubov means something, And that you and Blok never did kiss You are grieving sixth summer and counting. And in your eyes, as they are now getting well - Ocean breeze and a rye field in season. Youre in no way like other women at all, And youve become my wife for that reason.

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Часть текста: We'll be with each other, dear, All now know we are together, And the wily laughs and putdowns Like a distant tambourine Can't insult us any longer And can't give us injury. Where we married - we don't know, But this church at once did glimmer With that furious beaming light That only the angels know How to bring upon white wings. And the time is now such, Fearful city, fearful year. How can now be parted Me from you and you from me?

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Часть текста: MOTHS AND OTHER STUDIES Compiled and edited by Alice Ford Anyone knowing as little about butterflies as I do about birds may find Audubon's lepidoptera as attractive as his bright, active, theatrical birds are to me. Whatever those birds do, I am with them, heartily sharing, for instance, the openbilled wonder of "Green Heron" at the fantastic situation and much too bright colors of "Luna Moth" in a famous picture of the "Birds" folio. At present, however, I am concerned only with Audubon's sketchbook ("a fifteen-page pioneer art rarity" belonging to Mrs. Kirby Chambers of New Castle, Kentucky) from which Miss Ford has published drawings of butterflies and other insects in a handsome volume padded with additional pictorial odds and ends and an account of Audubon's life. The sketches were made in the 1820s. Most of the lepidoptera which they burlesque came from Europe (Southern France, I suggest). Their scientific names, supplied by Mr. Austin H. Clark, are meticulously correct-- except in the case of one butterfly, p. 20, top, which is not a Hamaeris but a distorted Zerynthia. Their English equivalents, however, reveal some sad editorial blundering: "Cabbage," p. 23, and "Miller," p. 91, should be "Bath White" and "Witch," respectively; and the two moths on p. 64 are emphatically not "Flesh Flies." In an utterly helpless account of the history of entomological illustration, Miss Ford calls Audubon's era "scientifi-cally unsophisticated." The unsophistication is all her own. She might have looked up John Abbot's prodigious representations of North American lepidoptera, 1797, or the splendid plates of eighteenth- and early-nineteenth-century German lepidopterists, or the rich butterflies that enliven the flowers and fruit of the old Dutch Masters. She might have traveled back some thirty-three centuries to...

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Часть текста: The other cranes shout "Cour-lee" Calling a wounded one When autumn fields around Are fallow and warm. And I, being sick, hear calling, The noise of golden wings From dense and low clouds And thick underbrush. "It's time to fly, it's time to fly, Over the field and river. For you already cannot sing And wipe a tear from a cheek With a weakened arm."

Поиск по заголовкам произведенийCлово "OTHER"

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Cлово "OTHER"